The Shape of Water

This felt like such a perfect movie. Romantic, mysterious and suspenseful. The mood and music, the physicality of each performance, and the beauty in every shot propels you forward. Sally Hawkins and Dough Jones (under amphibian disguise) convey so damn much emotion and feeling without ever speaking.  And the supporting cast elevates it to another level. Michael Shannon and Octavia Spencer are perfect in their roles, and Michael ‘Scene Stealin‘ Stuhlbarg is far and away the reigning character actor MVP of our time.

Phantom Thread & Call Me By Your Name

I did a double feature of these two movies and they had an oddly satisfying contrast to each other. Both movies are about love, but have two very different entry points (and conclusions). I wouldn’t say either was my favorite of the year, but I liked them both a lot, and could appreciate the masterful direction of each.

Phantom Thread of course was made by the Master himself, Paul Thomas Anderson, and played to perfection by a fellow master, now retired thespian Daniel Day Lewis (hey, they both have three names). It was claustrophobic, luxurious, tense, and at times unbearable. It was precise and harsh and I really, really liked it. Day Lewis’s character’s name is Reynolds Woodcock, so there’s another selling point.

Call Me By Your Name was straight up gorgeous, lusciously shot in Italy, and depicts viscerally the agony of discovered sexuality, the ecstasy  of its realization, and then back to that familiar agony. Chalamet and Hammer are excellent, but the scene that struck me the most was towards the end, when Chalamet’s father, played by Michael Stuhlbarg, delivers such a heartfelt, measured monologue to his son. It’s unlike anything I’ve seen displayed between a parent and child on film. Just pure understanding and love. It was really touching.

The music in each of these is immaculate.

My Year in TV & Movies 2017

2017 was an absolutely stacked year for entertainment. I thought it was a really strong year for both mediums, but the amount of great TV that’s coming out every single month now is staggering. There’s lots of great movies coming out too, but you just have to look a little harder for them underneath all the ‘blockbusters’ (though some of those are pretty great too). Netflix absolutely crushed it this year, with 7 TV shows on my list.  Here’s what I really enjoyed this year.

TV

The Leftovers

Legion

My two favorite shows in 2017 were Legion and The Leftovers. While very different shows they both ask similar questions: Am I crazy? Or is the world around me crazy? Am I in control? Or are larger, unknown forces at work? How do we deal with grief and guilt? The two best performances I saw on TV all year came from Carrie Coon of the Leftovers and Aubrey Plaza in Legion. Everyone was superb on the Leftovers, but Carrie Coon was on another level, mining the depths of Nora Durst’s anger and grief for explosive, devastating acting. The gut-wrenching emotion displayed on her face in so many different scenes was extraordinary. Aubrey Plaza on the other hand broke out of her role as April on Parks and Rec, bursting through as the literal and figurative monster pulling the strings of David, the protagonist in Legion. I’ve always liked Plaza, but she leaves behind her apparent one-note dryness and explodes into mania, a monster in control and having fun.

The Leftovers was brutal, beautiful, emotional and gorgeous. Every performance was superb and I think it was the best season of television this year. Legion was a close personal second for me. It was off the wall fun, and you never knew what type of show you were going to get each week. It felt like Legion, along with Logan, showed what a comic book adaption could really be, which is, anything it damn well pleases. Legion isn’t  a super-hero show. It’s a show about mental illness and the struggle to grasp and then control our potential, and recognizing it as both a gift and a curse. The Leftovers is one of the most powerful examinations of grief I’ve seen in art, and was also funny, unpredictable, weird, and heartbreaking. I think both of these shows might have slipped under the radar for a lot of people and I highly recommend checking them out.

Steven Universe

Adventure Time

Rick and Morty

Bojack Horseman

I wrote about these cartoons previously, and there’s nothing more to say other than it still blows my mind how deep each show can get in it’s respective world-building and pathos.

Game of Thrones

Obviously. People ragged on it a bit this year because of some iffy writing, deservedly so, but god dammit we finally got dragons fucking shit up!

Mindhunter

For as much TV as I watch, I don’t really ‘binge’, or at least as compulsively as I think that word suggests. I like to space it out a bit, even if just for a week if it’s on Netflix. But I ripped through this show and finished it in a weekend. David Fincher’s directing, the joy of seeing a show almost purely constructed on conversation between characters, and diving into the psychology of monsters and men made this show enthralling. I’m not a huge true crime/serial killer guy, but I loved this show.

Nathan For You

This show can be uncomfortable to watch, to say the least. It’s also the hardest I’ve laughed at a TV show this year and I’m amazed and horrified at how this genius/psychopath commits fully to his weird, elaborate social experiments/pranks. Completely unlike anything else on TV. So good, one of the greatest documentary filmmakers ever, Errol Morris, just wrote about how much he loved it. 

Stranger Things 2

Honestly, I went into the second season not expecting much, because the first season was so good, and since the show wasn’t conceived as continuing the first season’s story, I thought this would just be a typical kind of rushed sequel job. I thought it’d be good, just not as good. And I was wrong. Somehow the second season might have been even better than the first, in part because I thought the ending was a lot stronger this time around. Now can Will Byers have one god damn day of peace?

GLOW 

Maybe it’s on me for not looking more widely before, but I felt like this year there was a ton of wonderful TV shows with strong female characters and performances. The Leftovers, Legion and Godless featured some of my favorite performances of the year, all by women. And GLOW was a kick-the-door-in celebration of this fact, as almost the entire show is made up of and focused on women. This show surprised me. I really liked it and look forward to the next  season, and more shows like it.

Master of None

Big Mouth

These two comedies couldn’t be more different, but they’re both hilarious and surprisingly deep. Both shows look at dating, sex, and relationships, and the volatile changes and emotions that come with it, yet each does so with vastly different formats and points of view. It’s cool to see Aziz Ansari and Nick Kroll, two good friends, come up together and each create such distinct, original shows.

Curb Your Enthusiasm

Long live Larry David. I hope he keeps making Curb until the day he dies.

Godless

Godless was the best Western of the year, a 7 episode mini-series that felt like one long, gorgeous, old-school movie. Filled with deep characters dealing with tremendous trauma and loss, there’s still bits of real humanity, history, laughter, and beauty sprinkled throughout. Every actor is perfect, but Merrit Wever’s tough as nails Maggie steals the show. Godless was written and directed by Scott Frank, who had quite the year. He wrote the first movie on the list below. You might have heard of it.

Honorable Mentions:

Billions continues to be entertaining with strong performances. The Good Place is good. The Americans keeps on chugging along in moody silence, just like Phil, but I’m very excited for their next and final season. I jumped into Preacher‘s second season without watching the first and enjoyed it. Fargo was very slow starting off but picked up nicely at the end. Broad City is still killing it. Love is an underrated comedy on Netflix that I’ve really enjoyed.

MOVIES

Logan

Logan was the best comic book movie of the year, and one of the best movies of the year, period. A brutal neo-Western properly closing out both Hugh Jackman and Patrick Stewart’s Wolverine and Professor X, with their best performances yet. Scott Frank wrote this as well. Both Logan and Godless are masterpieces of their form.

Get Out

A stunning, perfect debut for Jordan Peele, timely, scary, and god damn funny. It’s very cool to see this in Oscar contention, especially with how far back it was released. Can’t wait to see what he makes next.

Thor: Ragnarok

Spider-Man: Homecoming

Guardians of the Galaxy Vol. 2 

The Marvel contingency. They’re ranked in the order I liked them. Thor was fun and gorgeous. I felt like this was the first time my version of Spider-Man was on the big screen. I’m pumped he’s in the Marvel fold. Guardians, while also visually stunning, was a bit of a letdown, if only because of how original and fresh the first one felt. That movie floored me in theaters and is one of my favorite Marvel movies, so a high bar to live up to. Black Panther and Infinity War next year!!!

The Big Sick

Baby Driver

Dunkirk

I want more movies like these three in the summertime. Original movies with their own unique style, viewpoint, or message, unattached to any ‘property’. And really, any summer you get new Edgar Wright and Christopher Nolan is a huge win.

Three Billboards Outside Ebbing, Missouri

What a fucking movie. Made by the same writer-director who gave us In Bruges and Seven Psychopaths, this movie has the pitch black humor and violence he’s known for, but with more raw emotion, grief, and pathos running throughout. There was uncomfortable laughter and audible gasps in my theater. Martin McDonagh makes you sickened by, and then empathize with, a violent racist and root for and cringe at what a grieving mother’s  willing to do for justice (or revenge). I walked out wanting to immediately see it again and will do so soon. Sam Rockwell’s a god damn gift.

Honorable Mentions:

It, I Don’t Feel at Home in this World Anymore, Wind River, Logan Lucky

Best movies I watched for the first time that didn’t come out this year:

Spotlight, 20th Century Women, The Wrestler, Bone Tomahawk, Moonlight, The Lobster, Moana, Life Itself, Memories of Murder

These movies were all astounding and among my favorites of the year.

Movies that came out this year that I still want to see: 

Ladybird, Call Me By Your Name, Phantom Thread, The Disaster Artist, Downsizing, The Florida Project, Coco, The Last Jedi, The Shape of Water, I, Tonya, The Post, Molly’s Game, Mudbound

So, what’d I miss?

Recommended: Life Itself and My Favorite Thing is Monsters

Today I’m recommending two different pieces of art born from Chicago.

Life Itself

By the time this documentary of Roger Ebert is made, he is in his last year on Earth and struggling to stay. By the time it’s released, he is gone.

Cancer in his jaw necessitates its removal. He’s robbed of his ability to speak. He can’t eat or drink. He types out what he wants to say and a robotic voice speaks. And he is still hilarious, and warm and open. He is courageous in the face of failing health and then death.

After losing his voice he turns his attention to writing on his blog and sharing his regrets, passions, and memories from his long, fascinating life.

But this documentary isn’t just about his fight at the end, or just about his movie criticism. It is a portrait of his entire life and all that he learned and shared. His struggles and joy. It’s a beautiful movie and it’s available on Netflix.

“We all are born with a certain package. We are who we are: where we were born, who we were born as, how we were raised. We’re kind of stuck inside that person, and the purpose of civilization and growth is to be able to reach out and empathize a little bit with other people. And for me, the movies are like a machine that generates empathy. It lets you understand a little bit more about different hopes, aspirations, dreams and fears. It helps us to identify with the people who are sharing this journey with us.”  – Roger Ebert

My Favorite Thing is Monsters

This a gorgeous, gripping, emotional graphic novel like I’ve never read before. Taking place in Chicago at the end of the 1960’s, My Favorite Thing is Monsters is 10-year-old Karen Reyes’ graphic diary. Every page is drawn as if it was in a notebook, yet it’s done in exquisite detail, with beautiful drawings of monsters, classical paintings, and human beings. Karen is obsessed with B-movie monsters, her struggling family, and figuring out who murdered her upstairs neighbor, Holocaust survivor Anka. I was floored by this book not just because of the story, but because I found myself lost looking at one page at a time, absorbed in all the details. Emil Ferris wrote and illustrated the entire book. It is a tremendous piece of art.

Click through to check out some sample pages.

Continue reading “Recommended: Life Itself and My Favorite Thing is Monsters”

Win It All

Joe Swanberg crafts a happier, briefer John Cassavettes film. This one really called out his influence, from the naturalistic camera, shot on beautiful, grainy film, to a protagonist writhing around in shit-storms of their own creation. Jake Johnson’s face steals the show, as always. The mania and agony he physically embodies is a joy to watch. Win It All is a one man show for Johnson, who co-wrote the film with Swanberg.  This is their third collaboration, the first being the equally great Drinking Buddies (also on Netflix). I really dig these kinds of movies and hope  Netflix and Amazon continue to allow a place for more like them. I’m excited to see what this duo does next, both separately and  collaboratively.

If you’re interested in Cassavettes, check out The Killing of a Chinese Bookie and A Woman Under the Influence. His quotes on life and filmmaking  might be even more interesting than his movies though. He’s a fascinating individual who lived an authentic life.